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Exhibitions, works, references, products and films — in pictures, across every area.
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Videos Preview — models for the Dockworkers project
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Artworks · 2025 FOLDS IN GRID ARRANGEMENT
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Documents The Cultural Fairness Model Institutions do not act — people do
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Videos WHY C++ FOR WEBSITES
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Products Impact4ArtCore
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Videos · 2024 Post's Lottental
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Products Impact4Shape Generative shapes
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Exhibitions · 2024 Post's Lottental WALD - PAINTINGS
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References CeBIT in Hanover, several times
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Videos Studio Show 002 A small show of works
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Artworks · 2023 VERLUST
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Documents From Post-War Society to AI Society How human competence is shifting
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Videos The Bellowing Stag
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Exhibitions · 2024 LWL Museum Henrichshütte
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Videos · 2024 Art Visits Church
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Products Impact4Sculpt 3D sculpture generator
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Exhibitions · 2023 Garden Opening WALD - PAINTINGS
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References It started with computer games
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Videos · 2025 The German Museum of Electricity
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Artworks · 2025 SQUARE, TRIANGLES CONNECTED
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Documents The Decorative Paradox Is this art or decoration?
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Videos FAVOURITE SUBJECT: TECHNICAL DEBT
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Products Impact4Sculpt
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Videos · 2025 Kunstverein Duisburg
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Products Impact4Curator Curating art
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Exhibitions · 2026 Museum Wendener Hütte — Mill Day Mill Day — Flacher Raum
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References Dozens of IT trade fairs
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Videos · 2024 Tyde
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Artworks · 2024 IKARUS
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Documents The Double Break in the Chain of Artists A structural problem
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Videos What is art?
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Exhibitions · 2024 Art Visits Church
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Videos · 2025 POP ART, POST-DIGITAL PREVIEW OF A NEW SERIES
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Products IMPACT4IMMERSIVE IDE Development environment for immersive art installations
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Exhibitions · 2025 Museum Westfälische Salzwelten DIE FALTUNG
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References 10 Years of NOTIONCUBE
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Videos · 2024 Projektspeicher
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Artworks · 2025 BORDERLESS
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Videos THE ETERNAL GROUNDHOG: MAKE OR BUY
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Products Impact4Exhibition
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Videos · 2024 Halle 205
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Products IMPACT4GRAMMAR A grammar of positing
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Exhibitions · 2025 Post's Lottental — Show and Opening BORDERLESS - FRAGMENTUM - IKARUS - PAINTINGS
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References NOTIONCUBE at CeBIT
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Videos St Maximilian Kolbe Church
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Videos Representation as a Justification for Art