Insight
Painting, sculpture and movement
Tobias Post combines painting, digital light art and sculpture; he understands painting and light art as two manifestations of the same artistic question. The connections lie in the works themselves: colours and structures of the painting series VERLUST recur in DORNENSTAUB, and the Sculpt series sets printed sculptures in motion.
Catalogues
The complete catalogues to download — re-set every night from the current state.
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Catalogue · 2022–2026
Catalogue of Works
Painting, studio and sculpture garden — all works, newest first
Document 2026.10.001 · CC BY-NC-ND 4.0
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Catalogue · 2023–2026
Exhibition Catalogue
All exhibitions with text and images, most recent first
Document 2026.10.002 · CC BY-NC-ND 4.0
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Catalogue · 2024–2026
Behind the Scenes
Making-of across the years — set-up, technology and background
Document 2026.10.003 · CC BY-NC-ND 4.0
Artworks · 2026
FLACHER RAUM
FLACHER RAUM combines gestural painting, “painted” in his own software, with spatial sculptures that, through interaction, alternate between flat picture plane and tangible object.
From the studio and the sculpture garden
The 3D print shown is the sculpture “Ringkern”, work number 2026.00.291.
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Studio · 2026.00.197 · with film
Pfade
As in FLACHER RAUM, the form changes its state: discs, rings and gears on fixed paths – placements of Concrete Art – turn into contourless colour powder when touched.
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Studio · 2026.00.280 · with film
Sculpt – Ringkern
A printed sculpture from the sculpture garden, set in motion digitally: cubes and rings remain concrete forms; only in motion – in elastic rotations and points that break away – do they acquire an informel impulse.
Edition €9,520 · Presentation from €952 · incl. VAT
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Sculpture Garden · 2026.00.291
Ringkern
“Ringkern”, 25 centimetres high: the printed sculpture that “Sculpt – Ringkern” sets in motion – the sculpture first as an object.
- Material
- 3D-Druck
Painting as a starting point
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Artworks · 2023 · with film
VERLUST
Non-representational oil paintings from 2023 about rhythm, counterweights, optical chains and ruptures – their colours and textures are the material of the immersive work DORNENSTAUB.
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Artworks · 2025 · with film
DORNENSTAUB
The immersive work deliberately uses colours and textures from VERLUST: what is rupture and loss in the paintings becomes transformation and movement via 3D sensors.
Shown together
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Exhibitions · 2025 · with film
St Maximilian Kolbe Church
In the church of St. Maximilian Kolbe, the immersive installation DORNENSTAUB and the painting series VERLUST stood side by side – two connected works in one space.
Dossier to pass on
Press and downloads